Tag Archives: jazzmaster

Jazzmaster Demo

Here’s a quick clip of the Jazzmaster in my (soon-to-be-former) AC30. No effects. First I run through neck/middle/bridge with full tone, then I run the same progression with the tone at 6. Nothing fancy, but it’ll give you a general idea.

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The Jazzmaster!


It works now.

Maury filed down the bad frets (there were a lot of them) and dressed all of them, tweaked the truss rod and cleaned the fretboard. I installed the new Mastery bridge yesterday and it’s a completely different animal now.

I still need to change out the tone control. The stock pot is a 1M value, and that lets way too much treble through when it’s wide open. This guitar was originally designed to play surf music, so the icepick treble kinda makes sense, but not for what I want to do. I’ll probably drop it down to 250k, which is the standard for single coils.

Vox AC30H2, guitar woes, etc

I mentioned last time that I traded my Sig:X amp for a bunch of other stuff, right? I got the ZT Lunchbox early last week, and it’s pretty cool. On Thursday, I got the big stuff: the VOX AC30H2 and the Fulltone OCD (v.4).

The VOX is nice. While it’s true that it was manufactured in China, which is not ideal, the craftsmanship is pretty excellent. It is a handwired amp, but it’s not point-to-point or turret board. It is a PCB type of construction, but all of the components are wired by hand, rather than installed by some giant machine. This doesn’t necessarily affect the tone, but it makes the amp less failure-prone and easier to repair if it does break down.

I read a lot of dudes on the internet who bash modern VOX amps because they’re inferior to the UK-built amps from the late 60′s. Well, you know what? The modern ones don’t catch on fire like the old ones did.

This AC30 is quite different from the Custom Classic series that Vox came out with a few years ago. The Heritage series doesn’t have tremolo, reverb, or an effects loop like the CC series did. That’s perfectly fine with me. I’m not a big fan of built-in effects like that. I’d much rather use outboard effects that I can access on a pedalboard. An effects loop would be nice, but it’s not really necessary since I’ll be running this amp clean.

Anyway, I took it to practice on Thursday, and I was having some issues getting it to stay clean. Even though the volume was pretty low (relatively speaking – this is a loud, loud 30 watts), I couldn’t get it to keep from breaking up. I played with it some more on Friday at the house, and I managed to figure it out. The amp has two channels: the top boost channel and the EF86 channel. At practice I was using the Top Boost channel, but I discovered that the EF86 channel is capable of delivering some massive-sounding clean tones that will not break up regardless of how hard you hit the strings. I had the volume at 12:00 (which is really loud), and full chords stayed perfectly clean when I hit them full on.

My pedalboard is currently undergoing some revisions. I picked up a Strymon blueSky Reverberator a couple of weeks ago, and it’s already gone. It’s a really great pedal with some amazing sounds in it, but it’s just too much money tied up in an effect that I’m really not going to use all that much. I’m keeping the Brigadier delay, but I’m picking up a Line 6 M9 to replace the BSR.

I already had the M13, and sold it because it was overkill. However, I really miss some of the weird loopy things that it can do. Things like pattern tremolo, pitch shifting, particle verb, step filter, sweep echo, etc are all really cool glitchy effects that I can use. The reverb sounds won’t be as good as the blueSky, but it’ll be close enough for spacey live stuff.

I also picked up a Musket Fuzz from Blackout Effectors to replace my diy Mayo clone. This thing is awesome. It’s kind of a modern take on the Electro Harmonix Big Muff Pi. It has 6 knobs for tone shaping, so it’s really versatile for a fuzz pedal. It can go from mild overdrive tones to wall of sound fuzz. It’s pretty sweet.

I’m liking the OCD more than I thought I would. It’s really open-sounding, even at high gain levels. It’s not overly compressed and you can still hear your basic guitar-amp sound underneath the extra gain.


In less happy news, I have run into a snag with my Jazzmaster purchase. I found the one that I wanted, checked the seller’s references and sent him payment. Unfortunately, he is now claiming that his paypal account is frozen and he is refusing to ship the guitar until his funds are released. I filed a claim with paypal, told him that I wasn’t okay with waiting and that he needs to ship the guitar as per our agreement. I haven’t heard from him in a couple of days. I know I’ll get my guitar or my money back eventually, but it could be weeks before that happens. Part of me wants to fly out to wherever this guy lives and punch him in the face.

Gear Flipping

I have been told by a few people on the interwebs that I don’t blog enough, so here goes.

I am getting kind of embarrassed about my inability to commit to my musical equipment. I have been through so many guitars, amps, and pedals that it’s not even funny. Part of that is because I can’t afford to just buy stuff when I want it. If a new delay pedal (or whatever) catches my eye, I usually have to sell something else to make room.

I am currently in the middle of flipping a bunch of gear. I have come to the conclusion that I prefer my G&L ASAT (telecaster-style guitar) to my other guitars. I like it so much that it literally makes my other guitars weep. Okay, not really. [For the record, the misuse of the word literally is one of my pet peeves.]

Anyway, what I like so much about my tele is that it just sounds like rock and roll. Even when I’m playing softly, it’s just kinda rude. My PRS is not rude. It is polite. It doesn’t put it’s elbows on the table during suppertime. It uses a napkin. It knows the difference between a salad fork and a main course fork and a dessert fork. It doesn’t sound like rock and roll. Sure, I can plug it into a big, loud amp and play Smoke on the Water and it’ll sound pretty convincing, but it doesn’t feel right. Not to me, anyway. Maybe it’s just too pretty for me to take it seriously.

Anyway, I decided to sell it. I put it up on The Gear Page this afternoon, and it sold about 5 hours later. Right now, the plan is to buy a ’62 AVRI (American Vintage Reissue) Fender Jazzmaster. I’ll probably have to look for a while, since I don’t really want to pay a premium for a new one. Unfortunately, I haven’t really seen any used ones on ebay/craigslist/etc. Do me a favor and keep your eyes open for an AVRI Jazzmaster. I’d prefer one in Olympic White like this one, but black would also be fine. :)

I also decided to sell my delay. I pretty much decided to sell it as soon as it broke down, but I had to get it fixed first, since no one is going to want to buy a broken delay. It turns out that it was just a fried diode, which means that I (or the guy that I bought it from) plugged it into the wrong power supply. Anyway, I’m getting a couple of strymon pedals to take care of my delay needs: the Brigadier dBucket Delay and the blueSky Reverberator. Both of these pedals sound amazing and should enable me to make some truly spacey, echo-ey sounds. I really considered waiting for the soon-to-be-released El Capistan dTape Echo, but I think I’m more interested in analog delay sounds rather than tape echo sounds. Oh well, I could always flip something if I change my mind.

Oh yeah – I almost forgot. I won a little Twitter contest that Dan over at This1smyne Effects put on a few weeks ago. I’ll be getting his T1M Booster, which is a clone of the ZVex SHO boost with a tone control. I’m not sure what I’m going to do with it, but I’m looking forward to checking it out.