In my opinion, every guitar player needs to have a working knowledge the CAGED sequence and how it pertains to linking chords and/or scales together. It’s not necessarily about lead guitar. Knowing the CAGED sequence will open up the fretboard and enable you to get past the limits of playing open position and/or barre chords. [Of course, sometimes the best option is to play an open chord, but you shouldn't be limited to those chords.]

This post is going to deal with scale patterns for lead guitar – specifically, we’ll be discussing pentatonic scales. A pentatonic scale consists of 5 different notes. In this exercise, I will arbitrarily choose the key of G major (G A B D E G), and the relative E minor (E G A B D E). Both scales have the same notes; the only difference is where you start and stop.

Let’s jump right in. There are 5 different patterns in the CAGED sequence. The first one is the C shape. In the key of G, this would be in 7th position, meaning your first finger plays on the 7th fret.
 

The next shape is the A shape, and you start out in 10th position. The first note in the pattern should be played by your second finger.

Up next is the G shape, and this one is in 12th position. You could also play this in open position. This is probably the most commonly used pentatonic pattern.

The E shape is next, and you can either play this in 2nd position or in 14th position. Like we saw in the A shape, your second finger should play the first note.

The last shape is D, and it’s kind of a weird one. There are a couple of ways to play this one, but I would start out in 5th position and just stretch my first finger back to the 4th fret on the G string. If you’re feeling adventurous, you can also try this one up in 17th position.

If you’re totally unfamiliar with these patterns, just start with the first one and play it over and over. Try isolating 2 or 3 strings at a time to facilitate memorization. Try playing sequences, such as up 3, down 1, or just make up your own.

I’ll continue this series over the next few weeks, so make sure to subscribe to my feed if you’re interested.

6 Responses to “The CAGED sequence: Pentatonic Scales”
  1. Good stuff! THe pentatonic scale opened up my playing a lot.

  2. Wait… there’s something besides open and barre chords??

    D*mn….

  3. would you mind doing CAGED for modes? i’ve trying to find a diagram on the net and couldn’t find one. i know, i know, i’m a little lazy :)

    thx!

  4. I’ve never formally gone through something like this but I’ve been doing the following book which seems like it will cover it.

    http://www.amazon.com/GUITAR-Total-Scales-Techniques-Applications/dp/0976291797?ie=UTF8&s=books&qid=1202954848&sr=8-5

    That G pattern is my crutch followed by the C pattern by what I can tell from my playing. The others I don’t really recognize much.

  5. Yeah, C & G are the bread and butter patterns, but learn the other ones too. Each pattern lends itself to different possibilities. I especially like the D pattern.

  6. Modes are a useful tool for analyzing harmony, but unnecessary for playing. They obscure what’s happening in the harmony. Think instead about tonal centers. You can view Dm7-G7-CM as moving from D dorian to G mixolydian to C major, but you should really recognize that’s its a common ii-V7-I in C major. You only need one scale. If I see Em7-A7-Dm7-G7 that’s still immediately recognizable as back cycling in C.

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